“Children at play, artists at work, and scientists measuring quantum effects share this in common: they are all creating reality.” – LEONARD SHLAIN
ABOUT THE BOOK An intimate meditation on an almost infinite subject, Space aims to explode an ordinary everyday word into a dazzling prism via an exploration of some of the many interpretations of the term. Artist Shana Mabari asked more than a dozen individuals from dramatically different walks of life—from an astronaut and a filmmaker to an art critic and a musician—what they think about when they think about space. Their answers, which alternate with exceptional work from contemporary Southern California artists selected by curator Andi Campognone, invigorate and inspire, and in turn become fodder for reflection upon our relationship to ourselves, to others, and to the universe at large.
The Essential Guide: Oil Painting Safe Practices Materials & Supplies is a culmination of years researching the best and safest materials for oil painting by artist Kimberly Brooks. Oil painting practices need not be complicated and are often misunderstood and produce unnecessary exposure to toxic chemicals. Simple explanations and lists of mediums, canvas types, paint brands and brushes are accompanied by simple illustrations created by the artist.
Sant Khalsa is an artist and activist whose projects develop from her impassioned inquiry into the nature of place and complex environmental and societal issues. Her artworks create a contemplative space where one can sense the subtle and profound connections between themselves and the natural world.
Issue 3 of Made at Berkeley gathers outstanding creative work by UC Berkeley undergraduate students with stunning texts and images on nearly every page. From the visual arts to film to the performing arts, from the literary arts to architectural and industrial design, the book features the achievements of top students in their respective fields.
“No editorializing takes place here. There is no fluff. Yet the two men leap from artist to artwork, from observations about narrative structure to biology to the manifestation of surfaces. It is humorous, deadly serious, and very encouraging to witness; the Apollonian and Dionysian impulses can coexist. This conversation demonstrates the joy of an intellectual and poetic exchange between two artists who share a knowledge of the deep concerns of art making in all its myriad forms.”
– Excerpt from review by Matt Ballou, in NeotericArt
Hardcover 133 pages 7.5 x 9.25 inches ISBN: 978-1-7326992-1-2 $40.00
This book chronicles shift in practice from figuration to abstraction in the paintings of Kimberly Brooks using the last five years of painting against the backdrop of her works on paper spanning her career. The book is published in conjunction with Mt San Antonio College. Beautiful color images, essays by Michael Wilson and Shana Nys Dambrot, and an Interview with curator Fatemeh Burnes fill this compilation.
UC Berkeley Arts + Design: gathers outstanding creative work by UC Berkeley undergraduate students with stunning texts and images on nearly every page. From the visual arts to film to the performing arts, from the literary arts to architectural and industrial design, the UC Berkeley Arts + Design: features the achievements of top students in their respective fields. These works demonstrate the discipline of particular art forms—painting, theater, poetry—as well as the vibrant ‘mash-up’ of cross-disciplinary experiment. Described in the voices of the students who made them, the collection exemplifies and advances the innovation and creativity of UC Berkeley.
Betye, Lezley and Alison Saar have created some of the most powerful, important and deeply moving art in our contemporary world. Their compelling works forge idiosyncratic constructions of social memory and personal identity, as well as the cultural histories underlying them. All three Saars assemble two- and three-dimensional works based on unexpected juxtapositions of form and content. They deploy the flotsam of material culture, from discarded architectural components (old windows, ceiling tiles, wall paper) to domestic detritus (washboards, buckets, shelves) to historic photographs and printed fabrics.
What is meant when using khôra to describe this exhibition, a Platonic concept that explains the space in which ideas exist? In this exhibition space is formed and agitated by the objects, shifting between imagination and reality, the tactile reality of our everyday life re-formed as a fantasy. It is a game that plays with perception. The artists compete with reality by using reality to trigger a new meaning or response as reality ignites each individual’s association with the module that has been created as a new entity.